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When my uncle passed away, his daughter, my first cousin, was looking for photos and other documents to help her write his obituary and make a presentation for his memorial service. She knew I had some papers that belonged to our grandmother (my uncle's mother) and I offered to look through them to see if there was anything she might want.

I didn't find what she was looking for - it's okay, we found it somewhere else - but I did find something I had overlooked for many years: my great-great-grandfather Ole Olson's 'declaration of intention' to become a U. S. citizen. It was dated July 25, 1887, sworn before the district court clerk in Smith Co., Texas (Tyler area). Here's a transcript of the letter in case you can't read the image:


The State of Texas

County of Smith

Be it remembered that on this the 25th day of July A. D. 1887, before me Clerk of the District Court in and for said State and County, personally appeared O. I. Olsen, Who being duly sworn according to law, did declare and say his is a native of Norway in the Kingdom of Norway and Sweeden. and as a subject of the King of Sweeden & Norway that he is now residing in the County of Smith aforesaid. That he is Fifty Five years of age or thereabouts and that it is bona fide his intention to become a citizen of the United States and to renounce forever all allegiance and fidelity to any foreign prince potentate state or sovereignty whatever and particularly to the King of Norway & Sweeden of whom he is now a subject.

In Witness whereof I have hereunto set my hand and affixed the seal of said county this 26th day of July A. D. 1887.

E. S. Cook

Clerk District Court

Smith Co. Tex.


Fascinating stuff! Several nuggets of family tree gold here.

-This document more or less confirms his approximate age, which corresponds with census and headstone info.
-It serves as a reminder that Norway and Sweden were united from 1814-1905. My Norwegian ancestors came to Texas in the 1850s.
-I didn't realize he ever owned property in Smith County. The first Norwegian community in Texas was in Smith County. Originally christened Normandy, the name was later changed to Brownsboro. Normandy turned out to be an unpopular location due to poor soil and water conditions. Many Norse relocated slightly southwest to the Four Mile/Prairieville area straddling the Kaufman and Van Zandt county lines. A final westward migration when Bosque County was created in 1854 proved most successful for the Norwegians, who settled in the Clifton area. But my Olson ancestors and a few others, such as the Waerenskjolds and the Wattners, didn't make that third move. They stayed in Prairieville.

It's usually at about this point that someone says they must have misheard me. Did I say there were Norwegians who immigrated to Texas? Why, yes, indeed. More on that in another blog post here.

Back to the naturalization process:

Further checking turned up a very handy document from the Minnesota Historical Society. It's brief and worth a read if you're a genealogist. The gist of it is that the process of becoming a naturalized citizen of the United States was quite simple in the 19th century. You visited a court of record and declared your intention to become a citizen, then returned in five years with a couple of witness who would confirm that you were a great guy (sorry, ladies - since you couldn't vote until 1920 and rarely owned your own land, citizenship wasn't something to worry your pretty head about) and swore the oath of allegiance and cemented the deal. The document I found confirms Grandpa Olson completed the first step. I don't have any further documentation so far to see if he followed through. He died in 1913, so he more than fulfilled the five year waiting period from 1887-1892. If he did follow through, his new citizenship status extended to his wife and any minor children that may have been born elsewhere.

Today the process of becoming a citizen is more complicated, and in light of current world affairs and security concerns, I suppose this is as it should be. Naturalization has come under the purview of the federal government rather than local. There are ten steps now, rather than two. There are forms and fees and tests. It still could take years. You still could get turned down.

I'm glad I found this document, but I'm sad about how I came to be looking through those papers. Turns out my uncle who passed away was also named Ole (Ole Bob, to be specific - after all, we're talking about Texas here). More than 100 years separates me from my Norwegian ancestors who immigrated to Texas. But reminders still manage to pop up in the most unexpected ways.

Now that you know about my Norwegian heritage, maybe that explains why my latest book features a main character who was born in Texas and is a daughter of Norwegian immigrants. Check out my book, The Dala Horse, now available on Amazon.

Now available at Amazon

10-year-old Kaya Olson lives in a small Norwegian immigrant settlement in post-Civil War Texas. When her mother is killed, Kaya feels responsible. Can she uncover the secrets her family is keeping to solve the mystery surrounding her mother’s death?

 

 

 

 

Note: I get commissions for purchases made through links in this post.

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All the mayhem here in South Carolina thanks to Hurricane Joaquin in 2015, (which btw thank you for not making landfall - if you had, I would've been composing this from my ark) resulted in a host of water topics on my mind. Specifically, I set about collecting all manner of anecdotes and factoids about the massive concrete dam that's keeping the 763,000,000,000 (that's BILLION in case you have misplaced your reading glasses) gallons, give or take, of water in Lake Murray from washing away most of Columbia 30 miles downstream. 

Look carefully and you can see three of the six floodgates, open in 2015 for the first time since 1969

Lake Murray is a 50,000 acre engineering behemoth, with 500 miles of shoreline. It's fed by the Saluda and Little Saluda rivers. Its dam is 1.5 miles long and more than 200 feet high. Walking or driving across the dam, you get a sense this thing is impregnable. Then you watch some video of the raging torrents generated by Joaquin's 1000-year rainfall, and you start to wonder.

The original dam was completed in 1930, made of our famous red clay and bedrock. In the early aughts there were some concerns that the original dam might breach, not because of water pressure, but due to earthquake activity, of all things. This area isn't generally known for earthquakes, but some small ones have occurred over the past several years, so better safe than sorry! The concrete backup dam was completed in 2005, and boy am I glad. If I had known that the original dam was technically 'earthen', I would've been a lot more worried for the residents of Columbia.

During Joaquin, the local utility company had to activate the floodgates for the first time since 1969. They release water all the time to generate power, but those gates are different from floodgates. Can you imagine the heart rate of the engineer who had to push the Open button for the first time in forever with the added bonus of being the midst of one of the biggest weather crises the area has ever known? I can just see him/her: eyes closed, whispering, "please please please please please" . . .

A closer look at the 2005 backup dam looking south

During the flood crisis, I understand they did an emergency test of the floodgate siren that scared the ever-lovin' bejeebers out of Lexington County residents within earshot. Note to SCE&G: maybe let's work on our floodgate siren test timing??

 

When we first moved here, we eagerly devoured Lake Murray lore. Some of my favorites:

  • Some of the islands on Lake Murray were used as practice bombing targets by the U.S. Army Air Force during World War II. The Doolittle Raiders honed their skills on Lake Murray and elsewhere prior to their top-secret mission: the first American air strike on a Japanese home island.

    One of the B-25s recovered from Lake Murray
  • Bombs aren't the only thing the army dropped into the lake. In 2005 they recovered one of several bombers that crashed during practice. It's in a museum now.
  • One practice raid went awry when a business owner about 15 miles west of Bomb Island didn't get the memo there was a practice run scheduled, and didn't turn off the lights when he went home that evening. Thankfully the practice bombs were more like bomblets, filled with white powder rather than explosives, and no one was hurt.
  • The main engineer of the original dam, and for whom the lake is named (William Murray) had a partner on the project named (wait for it): Henry Flood.
  • Speaking of: when they created the lake, several communities were flooded. Homes, businesses, churches, and cemeteries are still down there under those billions of gallons of lake water. Talk about being underwater on your mortgage.
  • The second, backup dam received a prestigious engineering award in 2006, beating out other impressive projects including the Arthur Ravenel bridge in Charleston.
  • Most years, one of the islands on Lake Murray is home to over 700,000 purple martins from June-September. It's such a large flock it can be seen from space. During boating season, sometimes it seems like the people-to-bird ratio is about 1:1.

I remain completely in awe of the hard work and brainpower, not to mention our tax dollars at work, that goes into these mega-projects, especially when it means keeping the lights (and the Internet) on. Nevertheless, Mother Nature sure does find interesting ways to remind us who's really the boss. Stay safe out there, folks.

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April is coming to a close, which means the annual A to Z Blog Challenge is doing the same. I participated in this challenge in 2016. It was my first time participating in the A to Z Challenge, though not my first blog challenge and definitely not my first writing challenge. I’m familiar with deadline pressure - what writer isn’t? - but the A to Z presented a couple of different types of pressure, for different reasons. As I progressed through the challenge, and even afterward, my opinions on some blog-related issues swung back and forth like a West Texas weather vane. 

To Theme Or Not To Theme

When I started the challenge, I didn’t realize what was going on with the ‘theme’. I thought ‘A to Z’ was the theme. Just write one post per day, each with some connection to a letter of the alphabet. April 1 = A, April 2 = B, and so forth. Turns out that's the broadest (one might say laziest) interpretation of the challenge. Experienced participants take it to the next level. They select a theme, then within that theme, create posts related to the alphabet.

Once I figured that out, I thought, Whew! So glad theme is optional. Themes are stupid. Themes tie me down and restrict my writing. I’ll write whatever the heck I feel like. And of course after the hundredth random theme-less blog I visited, I was so thankful to stumble across blogs that had such narrowly focused themes I marveled in their ability to find 6 topics to write about, much less 26. I became a believer. Themes are the bomb. Themes are like fences. They may seem restrictive and unsightly, but in addition to keeping good things in, they also keep bad things out.

Themes weren't the end of my education. In my blog challenge naivete, I didn't realize we were expected not only to publish a blog post 26 days out of 30; we were also expected to visit other blogs and leave comments. In fact, many would argue the comment component is the main focus of the event. Don't be fooled by the word 'challenge' - it's a blog hop.

Categories and Comments

After the challenge concluded, we were encouraged to post a recap of our experience. Of 1300+ bloggers who completed most of the challenge in 2016, less than a third shared a recap. Still, that’s over 300 opinions, and I worked my way through nearly half.

Two areas were mentioned repeatedly: requests for tweaks to the blog category codes; and hand-wringing over the low percentage of participants who visited and commented at other blogs. My flip-flop on these two issues is intertwined.

First, to the categories: When we registered for the challenge, we were asked to describe our blogs choosing from a list of two-letter codes provided by the admins. The idea was to give other bloggers some idea of what your blog was about before they clicked. Many participants thought there should be more categories added. Some also suggested they should describe the challenge theme chose by the blogger, rather than the blog, since the two could vary wildly.

My initial reaction to the category idea was, Categories? I don’t need no stinking categories! I assigned myself one. But I basically ignored other people’s blog categories because I wanted to visit ALL of them, regardless of topic.I will also admit my initial reaction to blogs being categorized is that it had the potential to hurt some blogs that might be at a disadvantage if ghetto-ized into a category within a very narrow niche.  

Secondly, the comments: Some participants said they didn’t leave comments because they couldn’t think of anything to say. And I’m like, What? Most bloggers are writers, for crying out loud. Surely you can come up with 10 words on the fly, like that old Toastmasters improv exercise. If you can’t come up with a few words for a token comment, blog comments are the least of your worries.

That’s how I felt about categories and comments - until I had my light bulb moment.

At around that time, I'd been listening to several writing podcasts. One in particular really solved a problem I’ve been having with a WIP. I couldn’t wait to get to the keyboard and type up a comment on the podcast. And that’s when I realized: If I’m not that excited about every comment I leave, I shouldn’t be leaving it. I shouldn’t be wasting my time on meaningless ‘hey, just dropping by from the A to Z’ comments in a likely fruitless attempt to increase my own blog's page rank.

After my light bulb moment, I now understand why people want the categories to be clear, unambiguous, and definitive of both blog and theme if possible. The bloggers who are asking for this have already had the light bulb moment. They know what they are interested in and where they will have the best chance of finding blogs they will want to comment on organically. 

I like to think I have an open mind. I’m willing to change my opinion when I’m wrong, especially when learning through personal experience. The A to Z Challenge was full of those experiences for me. Here's hoping your next writing challenge has some light bulb moments for you as well.

Images via Unsplash. A version of this article first appeared on the A to Z Blog Challenge website as a recap after the 2016 event.

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A version of this article first appeared on the Unleashing Readers blog in 2015.

It’s human nature to be curious about each other. In our caveman days, the ability to detect whether someone was similar to you or very different from you (friend or foe?) was an important survival skill. These survival instincts remain with us today, but we go about evaluating ourselves a little differently. We still observe and make judgments about our fellow humans based on previous experience. As mankind has evolved, we have added the wonderful gift of language - now we can also ask questions! Among adults we see this in the tried-and-true conversation starter,‘what do you do’? With kids, that question doesn’t work as well because most of them ‘do’ the same thing - they’re students. More (and better!) questions are required. A similar question that works well in this process of discovery is not, ‘what do you do?’, but rather: ‘where are you from?’

You may think this is a simplistic question, yielding little in the way of learning opportunities. Everyone knows where they are from, you might be thinking. What’s so special about that? I would argue this one simple question can be more enlightening than it seems, for at least two reasons. One: not everyone is aware of where they are ‘from’. Secondly, when I ask ‘where are you from?’, I hope to encourage you to dig into your family tree and tell me where you are really FROM. 

The cool thing about this seemingly nosy inquiry is that it works equally well when turned upon one’s self.  One of the main sources of inspiration for my latest book, The Dala Horse, was discovering one branch of my family tree was Norwegian. As a Native Texan growing up in a big city, it was something of a surprise to discover I had Scandinavian roots. The closest I had ever come to anything Norwegian was when the Cowboys played the Vikings, and that wasn’t very often.

Occasionally my younger school-age cousins will reach out to me with questions about our family tree for a class project. I am so thrilled that family tree projects are becoming commonplace in the classroom. It’s the perfect learning opportunity. It combines history, math, sociology, geography, and the golden ingredient: it’s all about the student!

The beauty of a family tree project is that it easily incorporated Into existing classroom reading plans. There’s no need to add or adjust the reading schedule unless you just want to. Once you start looking at your current assigned reading projects through family tree glasses, opportunities for tying into a family tree project abound.

The connection is pretty obvious with social studies, history, or historical fiction books. But if you dig a little deeper, it can also be made with more mainstream books. Most have characters with a variety of ethnic backgrounds. If not, they may take place in locales that vary from yours. Either is a great jumping off point with this simple and adaptable question: ‘[character] in [book] is from [location]. Where are you from?’ And if your current assigned reading is somewhat homogenous, ask the students to write their own version of the story, putting it in a different locale or time period that has some connection to their own family tree.

Some additional ideas for incorporating a family tree project into your lesson plans:

  • Have students work up a family tree project going as far back as they can. It’s okay if it’s only two or three generations. Question marks in the family tree are okay. That happens to professional genealogists all the time!
  • Pre-select a 20 year time period (1900-1920; 1960-1980). Have the students create a fictional biography about one of the family members who was born within that time period. Extra credit if the story correlates with the age that person would have been within that era. For example, if teacher has selected  the era 1940-1960, and Uncle Kenneth was born in 1941, his bio should focus on what he would have been doing from age 0-19. Hint: best to keep this within the last 100 years to make family tree research a little easier.
  • Create some tickets, each with different eras written on them. Number of tickets should equal or exceed number of students in class. For example if you have 30 students, create 35 or so tickets. Divide total number of tickets into 3-4 different eras. Write the eras on the tickets and have students draw out of a jar for what era they will be writing about, again featuring a member of their family tree who lived within that era. This helps spread the research around so that everyone is not looking for the same handful of books on a narrow slice of shelving in your library. You can have them work together in groups, or as individuals. The groups can be organized so that each group is working on the same era so that you have a horizontal storyline. Or, group composition can be completely random so that you might end up with a more vertical storyline for the project within that group: one from 1920-1940; 1940-1960; 1960-1980; and so forth.
  • Students select a person from their family tree. Match something about this person with a similar topic from your school library and write a review of this book. Be sure to include the connection with your family/why you chose it. For example, perhaps Granny Louise grew up on a dairy farm. Select a book about farms, or cows, or the state or city where she lived.
  • Occasionally some students will have some difficulty tracing their family tree back very far. To avoid this issue, make the entire project about fictional or non-fictional characters that THEY get to choose. Create an imaginary family tree for that person going back three generations (self, parents, grandparents). Although the characters will be fictional, their significant life events (birth, marriage, school, death), geography, occupation, etc. must line up  more or less correctly with the fictional character. So for example a fictional family tree based on Hermione Granger would have a very different set of facts than, say, a fictional family tree of LeBron James.
  • I did mention math, up there, didn’t I? So I better include a few math suggestions. Compile a list of the various ethnic identities in your class based on what the students have uncovered going back to their grandparents’ generation. Which group is the largest? Smallest? How would you calculate these two numbers into percentages? Extra points for determining how your class’s stats line up with similar statistics locally and/or nationwide. Extra points for discovering what other parts of the country have similar groups. In other words, if the smallest percentage represented in your class is of Italian ancestry, where are the largest concentrations of Italian immigrants in the US?
  • Place all ethnic groups represented by your students in a jar. Draw three. Have students research whether there are any businesses such as shops or restaurants in your area that share a common heritage with these three.
  • Reverse that project. Have the class compile a list of several shops and restaurants in your town. Have them research the ethnic groups they represent.
  • Family tree programs and software are very popular now. If your students are old enough, you may lead them in researching family tree records online. In order to avoid any privacy concerns you can easily keep it very general and just look at for example census records for your town going back however far. A fun activity with census records is looking at people’s professions. If accessing these programs is not possible, allow family interviews instead.
  • One of the activities I suggest in the book is a good example of demonstrating how cultural traditions persist through time. Cultural traditions of Norwegians in Texas might seem an obscure subset, until you start brainstorming how many of our traditions we follow and enjoy share today had their roots in other ethnic groups. Challenge students to list the various ethnicities represented in the classroom. Pair these with traditions familiar to many. For example, St. Patrick’s Day is an Irish tradition. Mardi Gras = French. Kwanzaa = African American. I mentioned the Minnesota Vikings earlier. Sports teams often have ethnic cultural connections and are very familiar with many students.
  • Popular songs, artists, even instruments are a great resource for cultural variety. What are the origins of the guitar? Drums? What type of music is traditional in Poland, or India?
  • I’ve saved my favorite activity for last. After completing their family tree research, each student must find something in their research that connects them with at least one other student. For example, perhaps student 1 had a grandfather who was in the Navy during World War II, and student 2 had an ancestor who emigrated to the United States after World War II. Be lenient with the connections. This is a great activity for class-wide brainstorming. A spider diagram on a white board or any display that could be left up for a few days would be ideal for this. The project is complete when each student’s name is represented and linked to someone else’s in the spider diagram.

My wish for students is that they experience the eye-opening discovery that even though some of us may look very much alike on the outside, we may be very different on the inside. And of course, the opposite is true! Sometimes the people who look the most different from us on the outside are the ones with whom we find we have the most in common. There may not be many of you reading this now who have Norwegian ancestors who settled in Texas, like I do. But I bet there are plenty of you whose ancestors came here from somewhere else - also like me!

Tree photo by the author; map photo from Unsplash

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I am a self-help junkie, especially when it comes to improving my writing skills. I enjoy articles that focus on technique. But what I really need is to improve is my work habits. Believe it or not, I need look no further than one of my favorite animals: elephants. It's not for nothing they have one of the largest brains in the animal kingdom (and that includes humans).

  • Most elephants are active at dawn and dusk (oh and by the way, my new thing I learned today is the term for this: 'crepuscular'). As most elephants in the wild live in some pretty demanding weather environments, this tells me they are focusing their activities in the parts of the day that will allow them to be the most productive with the least effort. They're working smarter, not harder. Only the dumb elephants are out rampaging around the African savannah at high noon. So why is it I waste so much time scrolling through a meaningless Facebook feed, when I could have spent the time finishing up my current book project??? If elephants had Facebook, they would only check no more often than once a day, right before bed, no longer than 15 minutes. Wait - what am I saying? If elephants wanted FB, they would be on it by now. Clearly, they are too smart for FB. Don't be a dumb elephant!
  • Elephants often work together. The females form herds or family groups. They help each other with child care and grocery gathering. In captivity their goals sometimes shift more toward elephant hijinks such as hatching escape plans, but they still work together like the gang from Oceans Eleven - plans are devised, tasks are assigned, diversions are orchestrated. We writers often tend to be introverts. We are attracted to the solitary lifestyle of a writing career. But we may overlook the benefits of support from our fellow writers. Whether it is in person in the form of a critique group or writer's conference, or online via discussion groups, blogs, or Twitter feeds, embrace the communal support available. We're all better for it.
  • Elephants are able to accomplish said elephant hijinks because they have, to quote Ghostbusters, 'the tools and the talent'. Other animals may be smart, but lack an amazingly useful tool such as a trunk. Vice versa, sometimes the animals with the cooler tools like web spinning or running fast are maybe not the sharpest knife in the drawer. Elephants have that great combination of intelligence and physical tools. They can come up with a plan, and also execute it. And here's where I struggle - I can plan with the best of them, but like the Oklahoma Department of Correction, am very poor at executing. I have seen enough writing articles on topic generation to know some folks go the other way - they have trouble coming up with ideas. Can't have one without the other. We need to be great at both.
  • Elephants rarely lie down because their straight legs are perfectly designed to support their standing weight. I have a hard enough time getting up and down at five-foot-nine and a hundred-and-something pounds. If I weighed 5000 pounds, I'd never lie down, either! As a writer, what are you perfectly designed for? Blogs or books? Traditional publishing or self? Fiction or non? Whatever it is, find it. Do it. Don't force yourself into something that you're not built for.
  • Elephants don't sleep much. They need to spend 20+ hours a day eating because they are so big. The elephants who choose to sleep a lot aren't the skinny elephants - they're the dead ones. As writers, we need to be keenly aware of how much of our time should be devoted to our top priorities, and what will happen if we don't follow through.

Taking a page from our elephant friends, seeing as it is mid-day I will just put things on hold and wait for dusk. At which time I will be working on that manuscript like a boss. Or an elephant.

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I had my first experience with self-publishing with my book The Dala Horse in July of 2015. I've learned so much and am still learning, which is the reason for this blog post.

The Dala Horse
The new cover redesign by ebooklaunch.com

ICYMI, I have experience with traditional publishing. Some years ago I published several non-fiction books for kids. You might find my name on a spine somewhere in your local elementary school library. I enjoyed the work, but itched to kick over the traces of that very structured niche. I had lots of ideas for fiction projects for readers of all ages.

Fast forward a few years: by the time I was ready to get back into writing full-time, technology had revolutionized the publishing industry. Self-publishing had lost its stigma. Authors could publish their work at will with the simple push of a button, for little or no cost. This was the perfect setup for me. I'm moderately tech savvy. I envisioned a scenario where all my unfinished manuscripts could be up and ready for sale online in no time flat (assuming I actually finished them first, of course).

Needless to say, this was wildly optimistic. I did manage to get one book (The Dala Horse) published in 2015. I had a pretty steep learning curve, which I've discussed in previous posts. But I got 'er done.

One of the many things I didn't anticipate is the topic of this post (and at long last we have arrived at the topic!). While researching my book, I found an image I was dying to incorporate into the cover of The Dala Horse. It was an adorable painting of a little wooden dala horse. I felt it perfectly captured the rustic charm of the toy as well as the tone of the book and the personality of my 10-year-old main character. I was determined to use it somehow. I purchased the artwork from the artist on Etsy and secured her permission to use its likeness. There was only one problem: I have zero artistic skills. I have some tech skills, but as far as composition and design, forget it.

That little horse is so cute, amirite??

Now here's where I made one of many mistakes: I told myself the art was so adorable, it would stand on its own. Why do I need to spend the money on a cover designer? I have a computer. I have some tech skills. So I just dropped the image into a Word doc or a Paint doc, I forget which, threw some font at it for the title and author name, and let 'er rip.

I can hear your groans and see your heads shaking all the way from the Carolinas.

I turned a blind eye to this glaring rookie mistake for the first six months The Dala Horse was out there. When you've just self-published your first book, that achievement tends to overshadow other little imperfections that gradually but inevitably present themselves as time passes, like mildew stains through a cheap coat of paint. I marketed my buns off, at least as far off as DIY marketing will take you -  more on that in a future blog post. As you can probably guess, sales were dismal. Reviews were positive (thanks, everyone!), for the handful of people who managed to find the book. But sales could be counted on one set of fingers and toes.

In the meantime, information junkie that I am, I continued to devour endless articles on self-publishing (among other things). Many of them remonstrated with new authors against doing their own covers. One, in particular, really hit home with me with the phrase 'cover crush'. I definitely had a crush on my cover. It was time for a proper cover, one that did the story justice.

I felt very sad about this as I really, really loved the dala horse artwork by Ellen Haasen. But after reading an article about researching what sells in your genre, and the components of a compelling cover, I decided it was time to 'murder my darling' and retire my little dala horse in favor of something more polished.

I was all set to hire it out, pay the money, and work hard on marketing to at least earn the cost of the cover back. Until. I found a page on Joanna Penn's marvelously helpful website about book covers. And tucked away on that page was a link to Derek Murphy's website. Mr. Murphy has designed many attractive book covers. He has also published several free videos that take you through the DIY cover design process step by step. He has even developed a free cover design program for those of us who cannot afford to purchase their own copy of Photoshop.

As I mentioned twice already, I have some tech skills and am pretty coachable, so I thought I would give this DIY thing one more go before I paid good cash money for someone else to do the cover. In my mind, all I was lacking was a robust photo editing program. I had done my research on the competition's covers in my genre. Thanks to Mr. Murphy and others, I learned about colors and fonts and composition and all that stuff. I knew where to get good stock photos with the proper licenses and permissions. I felt I was ready to give it a go. I spent about a day, all told, watching Mr. Murphy's videos, including all his bloopers and goofs mixed in with the quality content.

(BTW Some might consider these mistakes charming. Others may wonder, why not take the time to edit all that stuff out? Who am I to judge?)

I spent another day playing with his photo editor. I say playing. It was actually pretty hard work. It took me probably half a day to track down some images that I felt were right for the story that might potentially be available to me. It took me another

My DIY draft using  Mr. Murphy's graphics editor. Still needed some tweaking, but not half bad. Too bad it was so buggy.

half day editing said images, erasing backgrounds, and playing with all the cool filters. But I finally got the hang of it, had a couple of new covers drafted, and was feeling cautiously optimistic about being able to create a cover that was, if not the best cover in my genre, def not the worst (not by a long shot - apparently I'm not alone in my DIY bullheadedness). So the next morning I get up, rarin' to go, envisioning a new cover for my book by the end of the day, and . . . couldn't get the photo editor program to open my saved files. The same files that will only work in that specific editor. I could open new files and start over to my heart's content. But re-open an existing file? Sorry, no can do. There went three full days of my time, time I should've spent on my current three book series. Was I mad? You betcha.

It was at this point (finally!) I decided to stop goofing around and just hire the dang thing out. Back to Penn's site, clicked on several of her recommendations, and decided to try one called ebooklaunch. In less than half the time I wasted with the Murphy product, I had a great-looking cover, using images I didn't have to worry about violating privacy, licensing or other copyrights. The staff was great. They were prompt and helpful and friendly, and I am thrilled with the outcome.

If I had a fancy computer and owned a copy of Photoshop or something similarly robust, as well as an account at Shutterstock or other similar photo resources, and wanted to devote the time, I could probably come up with some covers on my own that are about equal to many you see on Amazon. But I just don't want to do that at this point in my writing life. I'm already spending enough time on social media and marketing and blogging. The cover is too valuable a piece of my marketing puzzle to leave to chance.

Even though I wasted about six months of valuable marketing time on a sad little DIY cover, all is not lost. This experience does leave me feeling a little more knowledgeable design-wise. Although his photo editor needs work, Mr. Murphy's advice at his website regarding the components of an effective book cover design is sound. It allowed me to streamline the process with ebooklaunch by giving them specific input on the colors, background, setting, and other components of the cover based on other covers in my genre and the various story elements I wanted to portray. Prior to deciding to use ebooklaunch, I had set up a private Pinterest board and stashed all images there, both of images I either wanted to use or was inspired by, as well as images of other covers I admired either in tone or genre or some other intangibles. I feel like this small step was useful in the getting-to-know-you process with the cover designer and contributed to the quick and satisfactory result.

It's too soon to know who I will use to design my next book cover. As I mentioned, it's a three book series. It's in a different genre, so I need to do some more research on that genre to get a feel for what appeals. I've already set up a private Pinterest board for this project and have started accumulating images. I have no hesitation using ebooklaunch again. One thing I know for sure: I would no more design the cover myself than I would give myself a tattoo. That's something best left to the professionals.

No, this is not me, but you get my drift

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"The cock of the fleet." George Arents Collection, The New York Public Library Digital Collections, 1938.

Folks, if you haven't discovered the New York Public Library's Digital Collection yet, what're you waiting for? It's great for history buffs, writers, and knowledge-seekers of any stripe. If you're looking for an informative, entertaining rabbit hole that easily qualifies as productive procrastination, NYPL is the place to be.

I discovered this little gem tucked away in one of their cigarette card collections (apparently cigarette cards were the early 20th century version of Pokemon, with nerdier topics and better art). It introduced me to the term 'Cock of the Fleet', indicating which ship is considered the best within its group (or 'fleet' in naval terms).

Before anyone gets their feathers ruffled by this fowl terminology, let me assure you, spending only a little amount of time in South Carolina will dull your delicate sensitivities to this term being so freely bandied about. I admit I was a little shocked the first time I was grocery shopping at Harris Teeter after we moved to SC and saw a young man wearing a shirt that read COCKS. All in caps. Just like that, right across his chest. I had to go home, fan myself, release my grip on the pearls I was clutching, and Google. Turns out it's an homage to the state university's mascot (the Gamecocks), not an analog version of Tinder.

Oh and hey BTW one more little nugget I stumbled across: South Carolina's mascot is unique among the major athletic programs in the country. When you say you cheer for the Gamecocks, nobody says 'which ones?'. Take that, Tigers!

But I digress. Cock of the Fleet, or COTF as it's sometimes known, is a proud Royal Navy tradition.

Ships' crews compete in navy-related athletic activities, primarily rowing races. Betting is allowed, further enhancing the competitive spirit. The winners are awarded with a trophy or plaque, which they proudly display on board.

The crew of HMS Ulster celebrating a COTF win ca 1969

As the informative little cigarette card tells us, this tradition got its name because of a bizarre incident during the Battle of the Saintes in 1782 during the American Revolution.  As part of the larger goal to assist the Americans in their defeat of the hated British, the French navy hatched a plan to take over Jamaica while they were at it.

During the battle, the British ship HMS Formidable was struck by fire from a French ship, making a big fat mess of things on board. One of the crates carrying poultry became, unsecured, shall we say, and a rooster escaped. He spent the rest of the battle perched on the rail of the poop deck (and maybe that's why they call it that now), crowing his little heart out, cheering on his crew. Can you imagine? Death and destruction all about, your life flashing before your eyes as you imagine a forthcoming trip to Davy Jones' locker, and suddenly out of nowhere this rooster

COTF Trophy on board HMS Gambia ca 1952

appears and starts crowing to beat the band. If I had been there that day, dodging cannon fire and wishing I had paid more attention during swim lessons, I think I would have had to laugh that crazy hysterical laugh you can't control when something hilarious happens in the middle of something awful.

Maybe it was due to the crowing; maybe due to the British Navy's top secret new battle strategy known as 'breaking the line'. For whatever reason, the Royal Navy prevailed. Their victory had little effect on the American Revolution, but it did keep Jamaica out of French hands.

When the British Admiral heard about this cock tale, he granted a permanent stay of execution for the plucky rooster who cheered his crew to victory.  A happy ending for our fine feathered friend, and who knows, perhaps the ancestor of an equally fine fowl found on a football field most fall Saturdays in Columbia, SC.

A version of this post originally appeared in the 2016 A to Z Blog Challenge.

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As a certified History Nerd, I'm beside myself with glee that a former number one Broadway hit is about one of our nation's founding fathers. But here's the thing: it's not anyone most people remember from grade school history class. Not Washington. Not Jefferson. Not Lincoln (and how many of you would have stopped me there, because you know Lincoln was great but doesn't qualify as a Founding Father?). Let's face it: between teaching-to-the-test public education policy and fading Baby Boomer memory, who of us can be expected to remember that stuff anyway (if in fact we ever knew it to begin with)? So this is why I'm so amazed at this phenomenon: A show about someone hardly anyone remembers is killing it on Broadway. Alexander Hamilton never made it to the top job (President). Sure, he's on the money, but I think they just threw him that bone for being the nation's first Secretary of the Treasury.

Let's digress for a moment: Hamilton is currently on the $10 bill, which is nicknamed a 'sawbuck'. I say currently, because he's also been on the $2 (yes, we still have one and they're so fun - go get some next time you're at the bank), the $5, the $20, the $50, and the $1000. It tells you something about me that I love the cute little $2 bill, but I didn't even know we had a $1000. That's what I get for not going into the drug dealing biz. Hamilton's time on the $10 may also be numbered - there's talk of kicking him off it in favor of a woman. Back to the sawbuck: It's called that for a somewhat convoluted reason, but interesting nonetheless. Sawbuck is from the Dutch word for the common construction tool often called a sawhorse. The early models were more X shaped. That way, they could easily be used for sawing up logs. And of course X being the Roman numeral for 10, if 'sawbuck' = X and X = 10, therefore 'sawbuck' = 10. And there's the extent of my high school algebra (and Latin!) knowledge.

Hamilton is not the only pop culture history juggernaut. Turn is a recent television series featuring George Washington's Revolutionary War spy network. Mercy Street is about volunteer nurses during the Civil War. Texas Rising, about a few pivotal days during the Texas Revolution, aired with success. Underground, Vikings, Spartacus, The Last Kingdom, Boardwalk Empire, Downton Abbey, even Drunk History are earning millions of views from across a very broad demographic. So let this be a (history) lesson for all of us writers: there's plenty of material out there, and we don't even have to make anything up. As someone once said, this stuff writes itself.

This post originally appeared during the 2016 A to Z Blog Challenge. 

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It's all about that link

So I'm minding my own business, happy to be through with at least one of my writing projects and moving forward with the next. As per my usual, every evening before I go to sleep, I read. Lately I've been reading more e-books by self-published authors. I'm doing this to improve networking, write some reviews, and hope my fellow authors return the favor.

And this is how I stumbled upon some previously overlooked features of the e-book format itself. I realized I had omitted an important part of the book. It wasn't one of Campbell's famous 12 stages of the Hero's Journey. No, I had those covered. It was something one could argue was equally important to the success of my book: the end matter. It was a little skimpy. I had some end matter, just not enough and not the right kind.

My book is a middle grade reader, a chapter book for older elementary students. I included a glossary of the Norwegian words that turn up in the book. I also included a discussion guide for teachers or parents. I had the requisite title page, and a throwback from my grad school days, a bibliography. So far, so good. But as I read Susan May's Deadly Messengers, and later, this post by Joel Friedlander on the Book Designer blog, I realized I had overlooked some equally important end matter.

It's all about the format, you see. A traditionally published book, a paper book, could easily still contain this information I initially omitted. But in an e-book, the links are live, just sitting there waiting to be clicked upon, thus making the process of connecting reader with author, of promoting and reviewing said book, ever so much easier. You can thank the reader and ask them to 'click here' to review your book. You can invite them to visit your website and subscribe to your email list. You can meet on Facebook or Twitter or Pinterest or whatever else floats your social networking boat.

Insert large sigh and groan here. I wasn't looking forward to going through Scrivener's Compile process again. I hated the idea that some books had already been purchased and the buyers may never notice the update. But I knew in my heart it must be done.

That screen shot up there is a little small, so let me 'splain to you what I added to the end matter. It wasn't a whole lot. Took me part of an afternoon.

  • One page giving some details about how I came to write the book. Ms. May and many other authors included this. I think it gives a nice personal touch.
  • One page thanking the reader for their purchase and outlining all the various ways they can connect with me. In my case, I gave them my website as well as email address. I reminded them to subscribe to my blog if they liked. I included a link to my Facebook and Twitter pages. Last but certainly not least, I included direct links to Amazon and Goodreads for both my author page as well as where to leave a review.

Most of these links I grabbed by visiting my home page at my website/Facebook/Twitter account, then copying and pasting the URL from the URL bar in my browser. The review links at Amazon took a little more doing. If you have trouble getting this right after you read the Friedlander article, hit me up and I will see if I can help. One thing I did differently from the article: they had some pretty sweet icons for the various social networks that they used for the link, rather than a hyperlink associated with some plain text. I fooled around with that for a while, but I had a hard time finding the size and look of the icons I wanted to use. Plus, I didn't want to overload my project with graphics and as a consequence possibly earn less money per sale.

Now, I know many e-books will take you directly to a review page as soon as you finish them. But I personally have never taken the time to write the review immediately upon completion of the book. I like to ponder on it for a while first. So I think it's nice to have these links available in the end matter for convenience if a reader wants to leave a review in future. Handy tip from Mark Dawson: make sure your review link URL takes them right to the review page, not just your book sales page. Sometimes readers aren't clear on exactly what to click on to leave a review.

I've set up these extra documents as templates in Scrivener so that I won't make the same mistake in my future projects. It's impossible to know if they'll actually result in additional clicks. But I feel better knowing they're included.

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You may have discovered a darling little television program called Miss Fisher's Murder Mysteries. There's much to enjoy here. It's a whodunit, which I adore (we'll talk about my Sherlock addiction in a future post). The lead character and much of the cast is female, which is refreshing. But what really drew me in was the setting: 1920s-era Melbourne, Australia. Fortuitously, Miss Fisher has loads of cash and is a real clothes horse, so they go nuts dressing her in the most amazing outfits from that era.

Dancing Couples by Anne Harriet Fish appeared as a Vanity Fair cover design March 1921. It's part of the Swann Collection of Caricature and Cartoon available through the Library of Congress Digital Collection.

The clothes are great, the hair is great, but one of my favorite aspects of the 1920s is the Art Deco style. According to our friends at Wiki, Art Deco peaked in the 1920s. Like many things beyond ultra cool and fashionable, this art style originated in France. It features bold colors and uncluttered geometric shapes. Its emphasis on the glory of the man-made often renders something of an homage to the mechanical and industrial boom taking place in society after World War I.

The 1920s were a pivotal era, ushering in a phenomenal amount of societal change in a relatively short time. It's often said the invention of the mobile phone and the Internet have impacted society in an unprecedented way. But consider the contributions of the Roaring Twenties: the impact of electricity, and the automobile. And with the coming of electricity, the domino effect of mass media in the form of radio and later, television and movies, both silent and talkie. Factor in the perfect media storm of electricity, media, and entertainment that spawned the cult of celebrity worship that dominates our current news cycle. They're all still going strong more than one hundred years after their debut. It's only fitting that such a magnificent age is represented by such a magnificent artistic style.

This post originally appeared during my participation in the 2016 A to Z Blog Challenge. 

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